The latex harnesses on Little Love Monument (2021) were excellent and kindly produced by Studio Acephale.
The work Earth Is Blue (2018-2021) was excellent and kindly supported by the reSchmiede
The flight tickets for the work empty seats (2022) were excellent and kindly realized by the designer aka MALO.
The written letters on Peace Keeping Force and Broken Hearts (2021), and the production of a template for the shape of empty seats (2022), were excellent and kindly realized by Kompagnon Letters.
The work Madame Margherite, Fetisch Specialist and Animal Play Monarch..., saying (2019) was kindly supported by and honors the work of Madame Margherite
The work Earth Is Blue (2018-2021) was kindly supported by Feyyaz Berber Architekt BDA
The solo show Termial, Terminal (2022) was kindly supported by the (Culture Office of) the City Cologne.
The exhibition project St.Open (2017) and the catalog St.Open (2017-2019) were kindly supported by the (Culture Office of) the City Cologne.
The exhibition series Dear Garage (2012) was supported by the (Culture Office of) the City Cologne.
The show and their eyes became sharper (2021) was supported by the special fond of the Stiftung Kunstfonds.
The realization of several works (2018-2019) were kindly supported by the one-year working bursary by Stiftung Kunstfonds.
The work Earth Is Blue (2018-2021) was kindly supported by the Kunstkommission Düsseldorf (KUKODUS)
The working stay an research in China (2016-2017) for the solo exhibition AWARE OF ANOTHER (2017) was supported by Kunststiftung NRW
The catalog St.Open (2017-2019) was kindly supported by the Kunststiftung NRW
The public exhibition project St.Open (2017) was kindly supported by SK Stiftung Kultur/ Sparkasse KölnBonn
The exhibition project St.Open (2017) was kindly supported by the German Aerospace Center (DLR)
The exhibition project St.Open (2017) was kindly supported by the Kölner KulturPaten e.V.
This website was kindly supported by the Kölner KulturPaten e.V.
The show Terminal, Terminal (2022-2023) was kindly supported by the Kunst-Station Sankt Peter Köln.
The latex harnesses on Little Love Monument (2021) were excellent and kindly produced by Studio Acephale.
The work Earth Is Blue (2018-2021) was excellent and kindly supported by the reSchmiede
The flight tickets for the work empty seats (2022) were excellent and kindly realized by the designer aka MALO.
The written letters on Peace Keeping Force and Broken Hearts (2021), and the production of a template for the shape of empty seats (2022), were excellent and kindly realized by Kompagnon Letters.
The work Madame Margherite, Fetisch Specialist and Animal Play Monarch..., saying (2019) was kindly supported by and honors the work of Madame Margherite
The work Earth Is Blue (2018-2021) was kindly supported by Feyyaz Berber Architekt BDA
The solo show Termial, Terminal (2022) was kindly supported by the (Culture Office of) the City Cologne.
The exhibition project St.Open (2017) and the catalog St.Open (2017-2019) were kindly supported by the (Culture Office of) the City Cologne.
The exhibition series Dear Garage (2012) was supported by the (Culture Office of) the City Cologne.
The show and their eyes became sharper (2021) was supported by the special fond of the Stiftung Kunstfonds.
The realization of several works (2018-2019) were kindly supported by the one-year working bursary by Stiftung Kunstfonds.
The work Earth Is Blue (2018-2021) was kindly supported by the Kunstkommission Düsseldorf (KUKODUS)
The working stay an research in China (2016-2017) for the solo exhibition AWARE OF ANOTHER (2017) was supported by Kunststiftung NRW
The catalog St.Open (2017-2019) was kindly supported by the Kunststiftung NRW
The public exhibition project St.Open (2017) was kindly supported by SK Stiftung Kultur/ Sparkasse KölnBonn
The exhibition project St.Open (2017) was kindly supported by the German Aerospace Center (DLR)
The exhibition project St.Open (2017) was kindly supported by the Kölner KulturPaten e.V.
This website was kindly supported by the Kölner KulturPaten e.V.
The show Terminal, Terminal (2022-2023) was kindly supported by the Kunst-Station Sankt Peter Köln.